Abdul-Rahman Abdullah
Home
Gallery
2024
Horse Girl Energy
Uchiboso Art Festival
The language of birds
Art SG
2023
Tarrawarra Biennial
Journeys
Sydney Contemporary
2022
Projects
Free/State
Land Abounds
Watching
Still Watching
Jurrungu Ngan-ga
2021
Everything Is True
Diaspora Pavilion 2
Peripheries
2020
Projects
Peripheries
2019
Projects
The National
Dead Things
Spring 1883
Kaseh Ibu
2018
Projects
Waqt al-tagheer: time of change
2017
Projects
Dark Horizons
Among Monsters
Rosewood
2016
Projects
Magic Object
4A Beijing Residency
Dead Centre
2015
Projects
IN THE NAME
WA Focus
Sulawesi Selatan
Town of Victoria Park
2014
Projects
Outland
Qantas Award
Campbelltown Arts Centre Residency
Tropaeum
2013
Maghrib
Project HOME
Riding Bicycles
Art School
2012
Monuments
Maghrib
2011
The Little Kingdom
Abdullah
Self Portrait as the 99 Servants
Ar-Rahman
2010
Interviews
Support Images
Essays
News
Media
Abdul-Rahman Abdullah
Home
Gallery
2024
Horse Girl Energy
Uchiboso Art Festival
The language of birds
Art SG
2023
Tarrawarra Biennial
Journeys
Sydney Contemporary
2022
Projects
Free/State
Land Abounds
Watching
Still Watching
Jurrungu Ngan-ga
2021
Everything Is True
Diaspora Pavilion 2
Peripheries
2020
Projects
Peripheries
2019
Projects
The National
Dead Things
Spring 1883
Kaseh Ibu
2018
Projects
Waqt al-tagheer: time of change
2017
Projects
Dark Horizons
Among Monsters
Rosewood
2016
Projects
Magic Object
4A Beijing Residency
Dead Centre
2015
Projects
IN THE NAME
WA Focus
Sulawesi Selatan
Town of Victoria Park
2014
Projects
Outland
Qantas Award
Campbelltown Arts Centre Residency
Tropaeum
2013
Maghrib
Project HOME
Riding Bicycles
Art School
2012
Monuments
Maghrib
2011
The Little Kingdom
Abdullah
Self Portrait as the 99 Servants
Ar-Rahman
2010
Interviews
Support Images
Essays
News
Media
2016
>
Projects
Invisible Genres
2016
<
previous
next
>
The day the world was still
| 2014 | stained wood, silk lamp shade
